The Top 5 Mistakes Actors Make in Shakespeare Auditions

Showing posts with label women. Show all posts
Showing posts with label women. Show all posts

Wednesday

Breaking Down the Bard - Lady Capulet

One of the things I love about Shakespeare is that he gave us such unique and individual characters in his plays. Some of them are so fleshed out that they seem to be real people; with histories, favorite things, enemies, habits, and speech patterns that make them who they are. Shakespeare doesn't always spell everything out for us, the way we might see in a modern play's character list. Instead, we have to mine the text for clues as to who these characters really are, so that when we present them onstage, we are showing them as multi-faceted, relatable, human beings. Today, I want to take a look at a character that I feel is performed a lot (although not yet by me), that many people don't give a lot of attention to, but who I still find wildly fascinating: Lady Capulet from Romeo & Juliet.




I feel like Lady C is overlooked, and I want to shine a little light on her, because this chick is so interesting! First of all, she's in ten scenes in the play (a few she just kind of makes an appearance and isn't the focus), but only speaks 114 lines of verse, which is not a lot. The Nurse speaks about twice as much, and even Benvolio and Mercutio each speak more than Lady Capulet - and Mercutio dies halfway through the play! She's a major presence, but we don't hear all that much from her, so we need to follow the clues to understand her as much as we can as a character, then use our own imaginations as actors to fill in the blanks. Shakespeare gave us more info than you might expect, though, so let's play text detectives and see what we can learn about this Real Housewife of Verona!

Lady Capulet is YOUNG. I would say she's probably about 26
How did I come up with that number? We hear from the Nurse in Act I, scene 3 that Juliet is 13, about two weeks away from turning 14. Then Lady Capulet chimes in:

I was your mother much upon these years
That you are now a maid.

Time for some basic math, right? If Juliet is 13, and Lady Capulet was around that same age when Juliet was born, that would make her right around 26. Her husband is significantly older, although we can't be sure of his age. In Act I, scene 1, when he wants to grab a sword and start fighting, Lady Capulet says:

A crutch! A crutch! Why call you for a sword?

And when Lord Capulet and his cousin, Old Capulet, are enjoying the party in Act I, scene 5, they're bickering over whether it was 25 or 30 years since they were in the "dancing days" of their youth. Bringing up Capulet's age so closely to when we discover Lady Capulet's age only highlights how young she is, and the age gap between them. 


Lady Capulet might be barren because she had Juliet when she was so young. This exchange in Act I, scene 2 makes me wonder if Capulet is speaking of his wife's experience:

Paris
Younger than she are happy mothers made.

Capulet
And too soon marr'd are those so early made.
The earth hath swallowed all my hopes but she...

Whoa whoa whoa... Hold the phone! This looks like a MAJOR piece of information! It seems like Capulet doesn't want Juliet to suffer the same fate as her mom, which we can pretty clearly interpret here as having a baby very young, and not being able to have any more healthy kids. "The earth hath swallowed all my hopes" might be a metaphor, but he might be talking about miscarriages or children that died in infancy. That's absolutely tragic for the Capulets. Lord Capulet makes it extra clear that Juliet is their only child later, in Act III, scene 5, in a heated moment:

Wife, we scarce thought us blest
That God had lent us but this only child...

So Lord and Lady Capulet wanted more kids, but couldn't have any. Maybe that's why Lady Capulet really loved Tybalt (or she's putting on a big show for some reason). Lady Capulet is outspoken about her affection for her nephew, Tybalt. She immediately seeks revenge after his death in Act III, scene 1:

I beg for justice, which thou, Prince, must give:
Romeo slew Tybalt, Romeo must not live.

It's unclear if Tybalt was the son of Lord Capulet's brother or Lady Capulet's brother, as they both separately call him "my brother's son" after his passing (Lady Capulet in Act III, scene 1 and Lord Capulet in Act III, scene 5). It's common for Shakespeare's characters to leave out any "in law" clarification, so it's unlikely that Lord and Lady Capulet are brother and sister as well as husband and wife - but if someone stages that production, I want a ticket.

And in Act III, scene 2, the Nurse tells Juliet her parents are "Weeping and wailing over Tybalt's corse."

However, only hours later, in the early morning of the next day in Act III, scene 5, Lady Capulet tells Juliet not to cry for Tybalt any more:

Evermore weeping for your cousin's death?
What, wilt thou wash him from his grave with tears?
And if thou couldst, thou couldst not make him live;
Therefore have done. Some grief shows much of love,
But much of grief shows still some want of wit.

Well, she got over that quickly! Maybe she's putting on a brave face, knowing she's about to break the news of Juliet's arranged marriage to Paris, or maybe her wailing over Tybalt was an act, or perhaps she is just out of tears to cry. 

Lady Capulet may seem passive in some scenes, letting her husband lead the charge when Juliet objects to marrying Paris in Act III, scene 5:

Here comes your father, tell him so yourself;
And see how he will take it at your hands.

But she seems to at least think of herself as a woman of action, devising a plan to poison Romeo in Mantua, where he is banished, earlier in the same scene. How serious she is about that is entirely dependent upon the production and the actor cast as Lady Capulet, but maybe she has ties to dangerous people in Mantua... Or maybe she's all talk.

When Lord Capulet starts hurling insults at Juliet and things are getting heated in Act III, scene 5, she tries to diffuse the situation:

Fie, fie, what, are you mad?

But ultimately sides with her husband on the matter in that scene, and shuts Juliet down like this:

Talk not to me, for I'll not speak a word.
Do as thou wilt, for I have done with thee.

So, my big question here is whose side is she on? Does she really think Juliet is being unreasonable, or that her husband is being abusive, or is it something more nuanced? Does she want to be the peacemaker, or does she just want to go back to crying over Tybalt's death?

When Juliet asks for forgiveness, Lady Capulet doesn't say anything, and lets her husband do the talking. Instead, her next five lines (over three scenes) are entirely about wedding planning. Granted, this already rushed event got moved up a few days, so Lady Capulet has a lot to do, but it makes me wonder if she was ever really angry at Juliet, or if she forgives quickly, or is covering up her feelings by keeping busy.

And then, in Act IV, scene 5, when Juliet's sleeping potion has convinced everyone that she is dead, Lady Capulet grieves in the way you might expect from a woman who has lost her only child:

But one, poor one, one poor and loving child,
But one thing to rejoice and solace in,
And cruel Death hath catch'd it from my sight!

You may have noticed that most of what I've dissected hasn't shown a "right" or "wrong" way to play Lady Capulet - I've just uncovered some of the options that are available when tackling such a rich and interesting character! Shakespeare gives us so much juicy material to work with, and it's our job as actors to find what works for our interpretation in each individual production to really bring these characters to life!


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Monday

The Top 5 Most Badass Women in Shakespeare

I've heard over and over again (even just this week) that there are "no good roles for women in Shakespeare". I'll be the first to say that there are too few of them (about one female for every eight males), but the roles that exist are wonderfully rich and interesting characters. Of course, I am ALL FOR casting women in men's roles whenever possible, but I think there are some ladies in the canon that don't get enough recognition for how totally tough, smart, and all-around awesome they are. With that in mind, I'd love to shed some light on my personal list of the top five most badass women in Shakespeare.



#5 - Lady Macbeth, Macbeth

 

Perhaps the most well-known of the ladies I've chosen, Mrs. Mackers certainly earns her "spot" on the list (ba-dum ching). She conspires with her husband to murder the King of Scotland while he's a guest in her home, and isn't too squeamish to get her hands dirty during the assassination. When Macbeth has second thoughts, she is able to convince him to kill King Duncan and seize the throne for himself - and let's be real, being the Queen of Scotland is pretty enticing.

Macbeth: If we should fail?
Lady Macbeth: We fail?
But screw your courage to the sticking place
And we'll not fail.

Lady M is ambitious and has a stronger resolve than her husband, making her a dream role for many ladies!

#4 - Cordelia, King Lear

 

You may not think Cordelia is a badass because hardly anyone plays her that way, but hear me out: Cordelia is so much more than a young princess/queen in a pretty dress. She won't lie to her father to inherit a bigger piece of the kingdom (like her sisters do), and she is disinherited for it. She lucks out, because the King of France decides he wants to marry her anyway. As she leaves the first scene to go to France with her soon-to-be husband, she leaves these words for her conniving sisters:

Cordelia: Time shall unfold what plighted cunning hides,
Who covers faults, at last with shame derides.

In Act IV, when all hope seems lost, and Lear is facing senility and certain defeat, Cordelia comes back to Britain from France LEADING A FREAKING ARMY and waging war against her sisters. Even though she loses and is captured, she makes amends with Lear and goes to her death gracefully. She may not be sadistically blinding old men, like her sister, Regan, but Cordelia is a noble badass, who is caring and forgiving, and totally deserving of recognition.

#3 - Paulina, The Winter's Tale

 

When the King of Sicilia loses his mind, thinking that his wife, Hermione, has been cheating on him with his BFF Polixenes, and is pregnant with Polixenes' baby, no one can convince him otherwise. When Hermione gives birth to a daughter in prison, Paulina takes the infant princess to King Leontes in an attempt to get him to come to his senses, at risk to her own life:

Leontes: I'll have thee burnt.
Paulina: I care not;
It is an heretic that makes the fire,
Not she that burns in't.

Leontes ends up having his infant daughter abandoned in a distant land; perhaps more cruel than his initial choice to kill the baby immediately. It's only after Leontes ignores the Oracle's ruling of Hermione's innocence (which he ordered and said he would honor), and the instant reports of the death of his young son and wife that he regains his senses and repents (with plenty of I told you so's from Paulina). Her fearlessness earns her a vital position: Leontes takes Paulina as his most trusted advisor for the next 16 years, to the end of the play, and probably beyond!

#2 - Tamora, Titus Andronicus

 

You don't want to mess with the Queen of the Goths. A prisoner of war in a son-killing competition with Titus Andronicus, she uses her cougar-like sex appeal to marry Saturninus, the new emperor of Rome. Saturninus is easily swayed by Tamora's *ahem* charms, and doesn't even notice that she's continuing an affair with Aaron the Moor. When Tamora and her two sons run into Titus' daughter, Lavinia, and Bassianus, Emperor Saturninus' brother, in the woods, they murder Bassianus and frame two of Titus' sons for it. Tamora's two sons are about to rape Lavinia, who asks Tamora to kill her rather than suffer that fate, to which Tamora replies:
Tamora: Let them sacrifice their lust on thee.

Cold as ICE. Things get even worse for Lavinia, who has her hands and tongue cut off to keep her from naming names. When Tamora gives birth to a son who has a bit too much melanin to be the biological son of the Emperor, she instructs that the baby should be killed in order to keep her affair with Aaron a secret. This ruthless woman will stop at nothing to maintain her power and to destroy Titus and his family.

#1 - Margaret, Henry VI Parts 1, 2, & 3, Richard III

 

If you know who Margaret is, I'll bet you aren't surprised to see her at the top of this list. If you don't know who she is, get ready to meet THE QUEEN.

Margaret is the wife of King Henry VI. She's a French nobleman's daughter, who brings no dowry (a problem for England, whose treasury could really use some help at this point). She falls in love with Suffolk, the man who brings her to meet her husband, and she finds her husband to be unimpressive. A clever and proud woman, she flexes muscle at court by undoing anyone who crosses her. She sets up the high-and-mighty Duchess Eleanor of Gloucester in an elaborate scheme so that she'll be convicted of witchcraft. She openly mourns the death of Suffolk, who is murdered by pirates. She is a skilled general during the seemingly endless civil war, killing her main opposition, York, and his youngest son. 

Margaret: Off with the crown; and with the crown, his head,
And whilest we breathe, take time to do him dead.

Her son is then murdered as she watches, and she is exiled to France, only to return and rain down curses on her foes. 

Margaret is a rich and interesting character who takes on more leadership skills than her weakling husband in an attempt to maintain power in England. She is smart, tactical, confident, and commanding, and her arc from penniless girl, to warrior queen, to mournful crone over the course of four plays is an amazing transformation!

Did any of these choices surprise you? Who didn't make the list that you would have liked to see on here? Let me know in the comments!

Wanna step up your Shakespeare game?
Email shakespearecoach@gmail.com to schedule your first lesson!
Click here to get my FREE cheat sheet on the Top 5 Mistakes Actors Make in Shakespeare Auditions!