The Top 5 Mistakes Actors Make in Shakespeare Auditions

Showing posts with label fun. Show all posts
Showing posts with label fun. Show all posts

Wednesday

VIDEO - The Top 5 Most SHOCKING Moments in Shakespeare

Shakespeare is ANYTHING but boring!

There are some moments in his plays that make your jaw drop, and I've made a countdown of what I think are The Top 5 Most SHOCKING Moments in Shakespeare - check it out!



Did you agree with my choices, or do you have your own picks? Let me know in the comments!

Are you an actor? Are your auditions as solid as they could be?
Click here if you want FREE, exclusive access to my training video of the Top 5 MISTAKES Actors Make in Shakespeare Auditions! 

Monday

My Not-So-Guilty Pleasure


I am a sap for all things motivational and inspirational. The Olympics. Hallmark commercials. Quote images on Instagram. These are things that make me feel all the feels, and I am not too ashamed to admit it. The worst offender at the moment is the quote images on Instagram. I love love LOVE quote images. I don't even care if it's a famous person's quote or not; if the pic is pretty and there are words, there's a 90% guarantee I'll double-tap that.

Side note: I hate when quotes are attributed to someone who never said them, but that's another post.

I am fully aware that most of these are cliches, and not particularly well thought out. I don't care. It's my not-so-guilty pleasure, just like yours might be watching Empire or singing along to the Spice Girls' first album in your car. Here's what goes through my head:

This one. YES! Life is hard but DON'T YOU DARE GIVE UP! Also, pretty blue sky and lake and is that a sailboat? Where is that? I want to go to there!


This is SO TRUE! Also, I want to go hiking so bad! When will winter be over?! Oops, I guess that was kind of like "counting the days", wasn't it? Look how green and lush it is!

A SUNSET! I love sunsets! I want to be an adventurer, with someone who calls me "darling", like we're in a movie in the 1940's with those adorable Mid-Atlantic accents!

I like what I do! That's why I'm so happy!!! This quote GETS ME. Also, mountains. *sigh*

OMG a DEER! And it's in the forest and it's magical! I want to do all the things that are good for my soul - like finding that deer in that forest and hugging it.

... It pretty much goes on like that until my boyfriend gives me a look that means "get off your phone and have a human conversation, please." I know that some of them are absolutely lame, but I still like them!

What are YOUR guilty pleasures? Are you as obsessed with motivational quote images as I am?
Audition season is here! If you want to step up your Shakespeare game, 
email shakespearecoach@gmail.com to schedule your first session!

The 10 Most Gruesome Deaths in Shakespeare

Stabbed. Poisoned. Drowned. Hanged. Beheaded.

There are some gory ways to die in Shakespeare's plays. Even George R. R. Martin, the author of Game of Thrones and the rest of the A Song of Ice and Fire series admits that Shakespeare's kill-count exceeds the bloody world of Westeros, and I would have to agree with him! Here are some of the Bard's most cringe-worthy deaths:



10 - George, Duke of Clarence (Richard III)
Drowned in Wine

"You shall have wine enough, my lord, anon."
- 2nd Murderer

George seemed like an obstacle to his brother Richard in his plans for becoming the King of England. After convincing their elder brother, King Edward IV, that George was a threat, Richard had two murderers visit George's cell in the Tower of London. The murderers stab George and finish the job by drowning him in the "malmsey-butt" (approximately 252 gallons of wine) in the next room.

9 - Joan la Pucelle (Henry VI Part 1)
Burned at the Stake

"Break thou in pieces and consume to ashes,
Thou foul accursed minister of hell!"
- York

Shakespeare's Joan of Arc was hardly a saint. She is a skilled but cocky warrior who claims to be aided by the Virgin Mary but is actually assisted by demons. She insists she was nobly born, calling her Shepherd father a liar to his face. When she is sentenced to burn, she tries to save herself by switching her story: the virgin is now pregnant, and the question of who the father is turns into a scene to rival an episode of Maury Povich. 

8 - Arcite (The Two Noble Kinsmen)
Crushed by his Horse

"Backward the jade comes o'er, and his full poise
Becomes the rider's load."
- Pirithous

Arcite and his cousin Palamon both love the noble Emilia (who can't choose between them), and since they are both technically prisoners of war, an agreement is made that they will have a fight. The winner lives and weds Emilia, and the loser will die. Arcite's victory over Palamon is short-lived, as his horse crushes him during his celebratory parade. Palamon is allowed to live and wed Emilia, since this seems to be the Gods' will.

7 - Desdemona (Othello)
Smothered 

"Kill me tomorrow, let me live tonight!"
- Desdemona

Othello mistakenly believes that his lovely and loyal wife, Desdemona has been cheating on him with his subordinate, Michael Cassio. Iago, the criminal mastermind, works Othello up to a murderous rage using nothing but a handkerchief and manipulation. The jealousy that consumes Othello leads him to smother Desdemona in their bed (though the text never mentions a pillow). With her dying words, she claims Othello was blameless in her murder. When Othello realizes he's been tricked, he stabs himself and dies.

6 - Julius Caesar and Coriolanus, respectively
Stabbed by Conspirators

"Let's kill him boldly, but not wrathfully;
Let's carve him as a dish fit for the gods..."
- Brutus


"Cut me to pieces, Volsces, men and lads,
Stain all your edges on me."
- Coriolanus


Since their deaths are remarkably similar, I've decided that this one's a tie!

In Julius Caesar, despite warnings from a soothsayer and his wife, Calpurnia, Caesar goes to the Capitol and is stabbed repeatedly by Brutus, Cassius, Casca, and the other conspirators who fear he has grown too powerful.

A decorated war hero and elected official, Coriolanus loses favor in Rome due to his arrogance, hot temper, and inability to flatter. Upon being banished, Coriolanus joins with his former enemy, Aufidius and the Volsces, seeking revenge on Rome and its people. Coriolanus decides to spare Rome instead of sacking it when he has the chance, and the envious Aufidius labels him a traitor and convinces the Volsces to join him in stabbing Coriolanus to death.

5 - Portia (Julius Caesar)
Swallowed Fire

"With this she fell distract,
And (her attendants absent) swallow'd fire."
- Brutus

Portia is probably at least a little unstable to begin with. In Act II, Scene 1, she shows her husband, Brutus, that she has voluntarily given herself a wound on her thigh to show how tough she is so that he'll share his secrets with her. After killing Julius Caesar and inciting a civil war, Brutus hasn't been home in a long time, and his absence, coupled with the news of the strength of his allies, pushes Portia over the edge.

4 - Cloten (Cymbeline)
Beheaded

"With his own sword,
Which he did wave against my throat, I have ta'en
His head from him."
- Guiderius

The term "asshat" was invented for people like Cloten (though not by Shakespeare). This stupid, stinky, spoiled brat can't understand why his stepsister Imogen, who is already married, wouldn't want to marry him. He threatens to kill Imogen's husband and rape her... the dude has it coming. When he picks a fight with Guiderius, his head is separated from his body pretty quickly. He certainly isn't the only Shakespearean character to be beheaded - far from it - but it's a memorable exit for such a loathsome character.

3 - Aaron the Moor (Titus Andronicus)
Buried Alive 

"Set him breast-deep in the earth and famish him,
There let him stand and rave and cry for food.
If any one relieves or pities him,
For the offense he dies."
- Lucius

Aaron the Moor is a wholly unrepentant criminal mastermind. He works with his lover, Tamora, to pick off members of Titus Andronicus' family one by one. This play is Shakespeare's most bloody, with murders, rape, mutilation, and people being baked into pies and fed to their mother at a dinner party. While most of the characters die by a blade, Aaron's anticipated slow death is unique.

2 - Antigonus (The Winter's Tale)
Eaten by a Bear

"I'll go see if the bear be gone from the gentleman and how much he hath eaten."
- Clown 

Antigonus got the unenviable job of taking the king's infant daughter to a deserted place and abandoning her to the elements. Of course, he doesn't want to leave a baby alone to die in a storm, but the other option was throwing her in the fire. He lays down the baby, and then is chased offstage with Shakespeare's most famous stage direction: Exit, pursued by a bear. In case we weren't sure of poor Antigonus' fate, the clown sees the bear enjoying his dinner, and comes in to tell his father (who found the baby) all about it.

1 - Cinna the Poet (Julius Caesar)
Torn Apart by an Angry Mob

"Tear him to pieces, he's a conspirator."
- 1st Plebeian 

Unfortunately, there were two men named Cinna in Rome. Cinna the Poet is questioned by a group of Roman citizens, and when they find out his name is Cinna, they tear him limb from limb. The misguided Plebeians think he is the same Cinna that helped to murder Julius Caesar, and the innocent poet meets a grisly end.

Did any of these deaths surprise you?
Who do you think should have made the list?
Let me know in the comments! 

Wanna step up your Shakespeare game?
Email shakespearecoach@gmail.com to schedule a private coaching session!
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My First Broadway Audition

I was 19, and auditioning all the time. This is back when I was attempting to get my "big break" (whatever that is) in the musical theatre scene. I had arrived ridiculously early at the Actors Equity building, and had been waiting all morning with hopes that whatever I was auditioning for would have time to see me. After a few hours on the wooden benches, the monitor came to us to let us know that there would not be time for us to be seen, BUT, the audition for the upcoming Broadway production of Wonderful Town was wide open.

The audition for Wonderful Town was being held at Chelsea Studios, which is 20 blocks (about a mile) from Equity. It was a beautiful day, and I figured I could walk over, which would be faster than the train due to construction. I wanted to be quick, in case word got out that the audition was empty and every actor in New York decided to head that way, too. I didn't even change my shoes, in order to save time.

I walk/jogged to Chelsea, signed in, and was seen right away. As I walked to the piano, the Casting Director was staring at my shoes, which were these tan platform things that were new, clunky, and didn't really match my dress. As I sang, the Casting Director kept looking at my feet, and I was beating myself up about wearing the "wrong" shoes. I don't remember how well I sang or acted or anything... Both the CD and I were clearly thinking about my unfashionable footwear.
Puzzled, I gathered my stuff and got as far as the bathroom when I saw it: thick, crimson, blood was all over the side of my tan wedge shoe, and still continuing to pour out of my left foot, right where the strap and buckle were digging into my flesh. I hope I wasn't making puddles on the floor of the studio as I auditioned. In my excitement to audition for Broadway, the adrenaline pumping through my body, and my knowledge that sometimes shoes need to be broken in, I didn't even feel the tear in my skin that was upstaging me during my audition! I was horrified, but I shrugged it off as a memorable first audition for Broadway; comforted by the thought that my future auditions for the "Great White Way" would probably be less gory.

Do YOU have a crazy/memorable/embarrassing/hilarious audition story?

Easy Inspiration

When was the last time you went to see a show? I'm not talking about the latest Bond movie (although I'm sure it's great), but an honest-to-goodness live piece of theatre? Where you're in the same room as the performer(s) - you can see them, they can see you, and it will only happen exactly that way with exactly those people ONCE?

I see several shows a month. My minimum is two shows per month, but I often exceed that. I absolutely love live theatre, not just because I'm an actor, but because of the stakes involved in each performance. There is no "take two". It's all about NOW, what's happening in the moment. All of us are in the same room, part of the same shared experience, but I might walk out loving the show and the guy next to me might leave at intermission because he hates it so much. There's subjectivity. It's personal, even though there may be hundreds of people in the audience.

I'll see just about anything. I tend to lean toward Shakespeare or other classical plays because it's so useful to me to see what choices are being made in performance. I'll see the same play by different companies over and over and over, because no two productions are ever the same. It's great to see different interpretations of these stories. Last night, I went to see something more experimental: a rap/hip-hop version of a Shakespeare play, and it was a lot of fun!

Let's be real, the hundreds of plays I've seen over the years haven't all been successful (though most of them were). I've seen some shows that really fell flat on their faces, but these shows taught me just as much if not more than the shows I enjoyed. In seeing shows that I didn't ultimately enjoy, I also got to consider what about it wasn't working for me, and why, which can inform my future work as an actor.

A few years ago, I was preparing for my first production of Much Ado About Nothing, And while I knew the show inside out, I hunted down videos on YouTube, re-watched the Branagh film, saw the Joss Whedon film the day it came out, as well as the BBC TV version and every live production I could catch in NYC, all before rehearsals started! Knowing what others had tried helped inform my choices, so that I could have even more tools in my toolbox as I went on to find how I would put my stamp on the character. For example, I learned that I didn't like Beatrice if she didn't smile in the first scene. The lines are a sharp and witty, but I found that if Beatrice smiles, I like her, and if she doesn't, I just think she's a jerk, which is tricky when you have to root for her character. It's a seemingly simple thing that I might never have discovered if I had not had so many productions to compare.

Lately, I've been going to the opera. The Met is pretty much the ultimate theatrical experience - it is bigger than Broadway in every way I could think of, without microphones!

At The Met on Friday, November 6th, to see Tosca


I initially thought that a night at the opera would be more about being seen by others than about what's happening onstage, but the acting, musicianship, and storytelling of these masterpieces is stunning. When Tosca jumped from the tower, I gasped aloud. I was very worried for Gilda's safety during intermission of Rigoletto. Opera has very little to do with my career, but I have found myself wrapped up in the storytelling every time, and learning just as much from these performances as from any other.

I think everyone, especially actors, but EVERYONE,  should see as much live theatre as possible. Even if you hate it, it will teach you something. It will inspire you. It will give you motivation. It will make you feel alive.