My First Broadway Audition

I was 19, and auditioning all the time. This is back when I was attempting to get my "big break" (whatever that is) in the musical theatre scene. I had arrived ridiculously early at the Actors Equity building, and had been waiting all morning with hopes that whatever I was auditioning for would have time to see me. After a few hours on the wooden benches, the monitor came to us to let us know that there would not be time for us to be seen, BUT, the audition for the upcoming Broadway production of Wonderful Town was wide open.

The audition for Wonderful Town was being held at Chelsea Studios, which is 20 blocks (about a mile) from Equity. It was a beautiful day, and I figured I could walk over, which would be faster than the train due to construction. I wanted to be quick, in case word got out that the audition was empty and every actor in New York decided to head that way, too. I didn't even change my shoes, in order to save time.

I walk/jogged to Chelsea, signed in, and was seen right away. As I walked to the piano, the Casting Director was staring at my shoes, which were these tan platform things that were new, clunky, and didn't really match my dress. As I sang, the Casting Director kept looking at my feet, and I was beating myself up about wearing the "wrong" shoes. I don't remember how well I sang or acted or anything... Both the CD and I were clearly thinking about my unfashionable footwear.

Puzzled, I gathered my stuff and got as far as the bathroom when I saw it: thick, crimson, blood was all over the side of my tan wedge shoe, and still continuing to pour out of my left foot, right where the strap and buckle were digging into my flesh. I hope I wasn't making puddles on the floor of the studio as I auditioned. In my excitement to audition for Broadway, the adrenaline pumping through my body, and my knowledge that sometimes shoes need to be broken in, I didn't even feel the tear in my skin that was upstaging me during my audition! I was horrified, but I shrugged it off as a memorable first audition for Broadway; comforted by the thought that my future auditions for the "Great White Way" would probably be less gory.

Do YOU have a crazy/memorable/embarrassing/hilarious audition story?

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How Your Musical Theatre Skills Will Make You A Kick-@$$ Shakespearean Actor

If you can "kick your face" and "belt for Jesus", I'll bet you already have a lot of skills that you could use as a Shakespearean actor! Did you know that musical theatre has a lot in common with Shakespeare? I'm not just talking about the adaptations of Romeo & Juliet into West Side Story or The Taming of the Shrew into Kiss Me, Kate. There are skills that cross over between the two art forms that you might not have realized!

Christian Borle as Shakespeare in Something Rotten!

Photo: Joan Marcus

Both Shakespeare and musical theatre contain scenes that have performance elements that elevate the production beyond what the audience experiences in daily life. If someone is singing at you in real life, you'd probably think they were crazy, and that guy spitting rhymes on the subway is probably not the next Kanye, BUT when an audience sees a show, they buy into the world of the play where these situations are normal! These activities would seem ridiculous if they weren't being done onstage, but skilled actors can pull it off. These actors can jump back and forth between normal, everyday speech (aka prose) and singing or speaking in verse at the drop of a hat, and when it's good, it is so good, amiright?

Another skill that artists in both types of theatre need is a facility with rhythm and meter. An actor who can tell a story through a song, where the speed and rhythm of the lyrics are predetermined, while still making it seem as though they are uttering these words aloud spontaneously is probably giving a memorable performance! This isn't much different from Shakespeare's verse, where the structure of the rhythm is given to a performer and it is their job to bring the words to life while maintaining the poetry in the text - it might actually be easier, since the actor may not have to belt a G simultaneously!

Not to be overlooked is the fact that there is often music and dancing in Shakespeare's plays. Performers with a background in musical theatre are at a distinct advantage here, as they are accustomed to telling stories through dance and song! There have been countless productions of The Tempest with Ariel played by a dancer, and although no one says that Ophelia is the best singer in Denmark, it certainly doesn't hurt to have a trained singer playing her when she goes mad!

So whether it's Othello or Oklahoma!, Hamlet or Hamilton, actors with these skills are some of the most versatile (and kick-@$$) around!

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Easy Inspiration

When was the last time you went to see a show? I'm not talking about the latest Bond movie (although I'm sure it's great), but an honest-to-goodness live piece of theatre? Where you're in the same room as the performer(s) - you can see them, they can see you, and it will only happen exactly that way with exactly those people ONCE?

I see several shows a month. My minimum is two shows per month, but I often exceed that. I absolutely love live theatre, not just because I'm an actor, but because of the stakes involved in each performance. There is no "take two". It's all about NOW, what's happening in the moment. All of us are in the same room, part of the same shared experience, but I might walk out loving the show and the guy next to me might leave at intermission because he hates it so much. There's subjectivity. It's personal, even though there may be hundreds of people in the audience.

I'll see just about anything. I tend to lean toward Shakespeare or other classical plays because it's so useful to me to see what choices are being made in performance. I'll see the same play by different companies over and over and over, because no two productions are ever the same. It's great to see different interpretations of these stories. Last night, I went to see something more experimental: a rap/hip-hop version of a Shakespeare play, and it was a lot of fun!

Let's be real, the hundreds of plays I've seen over the years haven't all been successful (though most of them were). I've seen some shows that really fell flat on their faces, but these shows taught me just as much if not more than the shows I enjoyed. In seeing shows that I didn't ultimately enjoy, I also got to consider what about it wasn't working for me, and why, which can inform my future work as an actor.

A few years ago, I was preparing for my first production of Much Ado About Nothing, And while I knew the show inside out, I hunted down videos on YouTube, re-watched the Branagh film, saw the Joss Whedon film the day it came out, as well as the BBC TV version and every live production I could catch in NYC, all before rehearsals started! Knowing what others had tried helped inform my choices, so that I could have even more tools in my toolbox as I went on to find how I would put my stamp on the character. For example, I learned that I didn't like Beatrice if she didn't smile in the first scene. The lines are a sharp and witty, but I found that if Beatrice smiles, I like her, and if she doesn't, I just think she's a jerk, which is tricky when you have to root for her character. It's a seemingly simple thing that I might never have discovered if I had not had so many productions to compare.

Lately, I've been going to the opera. The Met is pretty much the ultimate theatrical experience - it is bigger than Broadway in every way I could think of, without microphones!

At The Met on Friday, November 6th, to see Tosca

I initially thought that a night at the opera would be more about being seen by others than about what's happening onstage, but the acting, musicianship, and storytelling of these masterpieces is stunning. When Tosca jumped from the tower, I gasped aloud. I was very worried for Gilda's safety during intermission of Rigoletto. Opera has very little to do with my career, but I have found myself wrapped up in the storytelling every time, and learning just as much from these performances as from any other.

I think everyone, especially actors, but EVERYONE,  should see as much live theatre as possible. Even if you hate it, it will teach you something. It will inspire you. It will give you motivation. It will make you feel alive.

Click here to get my FREE cheat sheet on the Top 5 Mistakes Actors Make in Shakespeare Auditions!